20a decibel scale
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Nevertheless, A-weighting would be a better match to the loudness curve if it fell much more steeply above 10 kHz, and it is likely that this compromise came about because steep filters were difficult to construct in the early days of electronics. The report also shows that the 40-phon Fletcher-Munson contour is in better agreement with the updated 60-phon contour incorporated into ISO 226:2003, which challenges the common assertion that A-weighting represents loudness only for quiet sounds.
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The report comments on the surprisingly large differences, and the fact that the original Fletcher–Munson contours are in better agreement with recent results than the Robinson-Dadson, which appear to differ by as much as 10–15 dB especially in the low-frequency region, for reasons that are not explained.
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(Japan was the greatest contributor with about 40% of the data.) This has resulted in the recent acceptance of a new set of curves standardized as ISO 226:2003. The study produced new curves by combining the results of several studies, by researchers in Japan, Germany, Denmark, UK, and USA.
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However, because decades of field experience have shown a very good correlation between the A scale and occupational deafness in the frequency range of human speech, this scale is employed in many jurisdictions to evaluate the risks of occupational deafness and other auditory problems related to signals or speech intelligibility in noisy environments.īecause of perceived discrepancies between early and more recent determinations, the International Organization for Standardization (ISO) revised its standard curves as defined in ISO 226, in response to the recommendations of a study coordinated by the Research Institute of Electrical Communication, Tohoku University, Japan. The A-weighting was based on the 40-phon Fletcher–Munson curves, which represented an early determination of the equal-loudness contour for human hearing. Deficiencies Ī-weighting is valid to represent the sensitivity of the human ear as a function of the frequency of pure tones. Later work, first by Zwicker and then by Schomer, attempted to overcome the difficulty posed by different levels, and work by the BBC resulted in the CCIR-468 weighting, currently maintained as ITU-R 468 noise weighting, which gives more representative readings on noise as opposed to pure tones. But B-weighting has since fallen into disuse. This ANSI standard, later revised as ANSI S1.4-1981, incorporated B-weighting as well as the A-weighting curve, recognising the unsuitability of the latter for anything other than low-level measurements. Three years later these curves were used in the first American standard for sound level meters. History Ī-weighting began with work by Fletcher and Munson which resulted in their publication, in 1933, of a set of equal-loudness contours. This research showed that our ears respond differently to random noise, and the equal-loudness curves on which the A, B and C weightings were based are really only valid for pure single tones. In Britain, Europe and many other parts of the world, broadcasters and audio engineers more often use the ITU-R 468 noise weighting, which was developed in the 1960s based on research by the BBC and other organizations. It is also used when measuring low-level noise in audio equipment, especially in the United States. The curves were originally defined for use at different average sound levels, but A-weighting, though originally intended only for the measurement of low-level sounds (around 40 phon), is now commonly used for the measurement of environmental noise and industrial noise, as well as when assessing potential hearing damage and other noise health effects at all sound levels indeed, the use of A-frequency-weighting is now mandated for all these measurements, because decades of field experience have shown a very good correlation with occupational deafness in the frequency range of human speech. Other weighting sets of values – B, C, D and now Z – are discussed below. The resulting octave band measurements are usually added (logarithmic method) to provide a single A-weighted value describing the sound the units are written as dB(A). It is employed by arithmetically adding a table of values, listed by octave or third-octave bands, to the measured sound pressure levels in dB. A-weighting is applied to instrument-measured sound levels in an effort to account for the relative loudness perceived by the human ear, as the ear is less sensitive to low audio frequencies. Frequency response curves used in sound pressure level measurementĪ graph of the A-, B-, C- and D-weightings across the frequency range 10 Hz – 20 kHz Video illustrating A-weighting by analyzing a sine sweep (contains audio)Ī-weighting is the most commonly used of a family of curves defined in the International standard IEC 61672:2003 and various national standards relating to the measurement of sound pressure level.